The Lumix G90/G95 isn't cheap, however, though it does have Panasonic's V-Log mode as standard rather than a paid-for extra. It's a good camera for stills photographers, video, and vlogging, and Panasonic's underrated 4K Photo modes offer capabilities other cameras don't have. The handling and control layout are great, and the autofocus feels very snappy indeed. The Panasonic Lumix G90 (G95 in the US) is a great stills and video camera for enthusiasts and vloggers. Read more: Panasonic Lumix GH5 II review for more details Those who already own a Lumix GH5 or GH5S probably don't need to upgrade, but if you're looking for a new mirrorless filmmaking camera, this is a fantastic buy that's cheaper than the Lumix GH6. It also has live-streaming capabilities, and the video autofocus functions very well. The stabilization system provides up to 6.5EV steps of compensation, which is hugely handy (while not everyone likes the smaller Four-Thirds sensors, they are easier to stabilize). In fact, this is a very minor refresh all around, but the video features it does add make it definitely worth considering for those who produce video content, even with the newer Lumix GH6 also on the shelves. The original Panasonic Lumix GH5 was pretty widely regarded as one of the best consumer video cameras you could buy, so it makes sense that the Panasonic Lumix GH5 Mark II wouldn't mess too much with that formula.

Read more: Panasonic Lumix GH6 review for more details While the Lumix GH6 is primarily a filmmaker's camera, its impressive stills credentials mean it's one of the best buys around right now for content creators who can meet its price tag. Plus, it's a hybrid camera that's no slouch on stills! You don't put 75fps burst shooting in a camera if you don't think anyone's going to want to take pictures with it, after all. Its design is also filmmaker-focused, with a vari-angle LCD screen, and physical controls including a dedicated audio management button. It copes with its intense data demands by adding in a CFExpress Type B card slot, as well as a UHS-II SD card slot. With internal Apple ProRes 422 and ProRes 422 HQ, internal Cinema 4K 4:2:0 10-Bit, and many more class-leading options, the Lumix GH6 is simply a beast when it comes to video. We recently handed it over to a professional filmmaker for their take on it, and the verdict was that the GH6 offers: 'a compelling set of features that simply can’t be rivaled at its price point.' With every iteration of its Lumix GH series, Panasonic has been inching closer to creating the perfect filmmaker's mirrorless camera, and the Lumix GH6 makes a damn good case for having cracked it.

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